“This morning we were visited by TheGrefg, an influencer with more than seven million followers on Instagram. A real ace. Polite, respectful, eager to learn and to enjoy the atmosphere without bothering anyone,”
Matxin wrote on his social channels.
Respect for cycling, key to the warm welcome for the YouTuber
The Spanish manager’s message underscores one of the core issues in the debate during this edition of La Vuelta: how to integrate content creators without disrupting the running of a professional race or clashing with standard media dynamics.
In TheGrefg’s case, his approach to cycling came from a different angle. It was not about taking on journalistic duties or occupying space reserved for professionals covering the event, but about understanding the daily work of a WorldTour team and sharing that experience with his community.
The creator spoke with UAE staff, learned some of the inner workings of the structure, and discovered how the day-to-day unfolds for a team during a three-week race. It was a chance to show a mass audience a side of cycling that usually remains out of shot and off the live broadcast.
“We had a very pleasant time, chatting, showing him how we work and sharing a calm, positive morning,” Matxin explained, closing his post with an open invitation: “That’s how it should be. Thanks for coming, Grefg. You’ll always be welcome.”
Are influencers necessary at major sporting events?
The scene takes on added significance after the controversy sparked by Erola Jons. The debate has not only questioned the presence of influencers at La Vuelta, but also the need for coherence between the chosen profile, the role assigned, and the content to be produced.
TheGrefg, by contrast, showcases the strong potential of this strategy when it is used to present cycling from a different perspective. His millions of followers turn any La Vuelta-related experience into a possible gateway for new fans, especially among younger audiences.
The challenge for the race is now to find the balance. Creators can help modernise cycling’s image and multiply its reach, but experiences like TheGrefg’s show it is not always necessary to make them the protagonists of the news to achieve that. Sometimes it is enough to open the doors, show what happens inside, and let them tell the story in their own way.